Aromatron is a display typeface with a balanced and consistent rhythm. Drawing inspiration from the shapes of nature, unique solutions were employed to achieve a rich, dark, creamy texture. Warm, soft and friendly, but as a black stencil, also quite striking.
The font is packed with OpenType features: lining and old-style numerals; automatic fractions; not only small and petite caps, but also a third, larger set, nicknamed medium caps; superscript and subscript; contextual swash caps. Petite cap glyphs compose well with regular lowercase and are employed by stylistic sets for a unicase effect or compact typesetting.
Aromatron offers support for most Latin-based languages, including Vietnamese and major Latin-based languages of Africa (Fula, Ewe, Akan, Igbo, to name a few). The International Phonetic Alphabet is accommodated as well. A selection of symbols and ornaments completes the vast character set.
Showing posts with label African. Show all posts
Showing posts with label African. Show all posts
Download Aromatron Fonts Family From Adam Jagosz
Download Ares Fonts Family From Adam Jagosz
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Ares is a crisp all-caps display typeface, suitable for sci-fi logos and titles. Its angular, top-heavy letters hang from the cap-height rather than simply sit on the baseline, giving off a futuristic, steampunk vibe.
The typeface consists of six subfamilies available in 10 weights, as well as as two variable fonts of three axes: weight, tracking, and custom mid-height axis.
The mid-height axis affects the typeface's waistline, including crossbars, and divides the fonts into three subfamilies: Ares Lo, Ares, and Ares Hi. These three families are solid-stroked, and the other three families are their stencil-stylized counterparts: Ares Broken Hi, Ares Broken, and Ares Broken Lo.
The tracking axis is only available in the variable versions, and proportionally affects the kerning, thus helping set the type more tightly without effort.
Ares supports a wide range of Latin-based orthographies, including not only European, but also Vietnamese as well as major African languages like Hausa, Fula or Ewe.
Download Ares Fonts Family From Adam Jagosz |
Download TOMO Haraka Fonts Family From TOMO Fonts
TOMO Haraka - a playful thin line decorative typeface. Haraka is a linear font in folk style, uppercase only decorated with geometric elements. Suitable for lettering posters, music albums, tattoos and photo overlays. Enjoy!
Download Kenjo Fonts Family From Anthony James
Kenjo I & Kenjo II is an elegant font collection, with Japanese & Art Deco influence. An uppercase character set for display purposes, it houses the standard more versatile Serif (Kenjo I), along with a more fashion-based, stylised option (Kenjo II). Kenjo also includes a versatile collection of unique ligatures, to add a more creative approach to the standard sensibility of Serif based fonts.
Download Pivnaya-Latin Fonts Family From Roman Type
‘Пивная’ (Pivnaya) means ‘bar’ or ‘brewhouse’ in Russian. Pivnaya Latin is a display font published by Roman Type. Initially designed for a poster, the family quickly turned multi-script. In 2019, the global design community is busy celebrating the centennial of Bauhaus, silently triggering the question as to if or how the phenomenon matters in the lives we lead today, or whether it could rather be reduced to mere historic purposes. At that point, I found myself falling into the Bauhaus trap myself, preparing a typeface design workshop for a group of Lithuanian and Russian students. But by a typing error, I accidently made Google translate ‘Brauhaus’ (brewhouse) instead of ‘Bauhaus’. That is why I called this family ‘Pivnaya’ in the end.
Pivnaya Latin works for: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Vietnamese, Zulu. Though being a decorative font, the International Phonetic Alphabet (IPA) increases usability for all kinds of purposes.
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