Showing posts with label bold sans. Show all posts
Showing posts with label bold sans. Show all posts

[xpshg] Download Hydrella fonts from Ayca Atalay

Hydrella


Hydrella is a modern sans serif with sharp, unique features and moderately high contrast. Its easily distinguishable attributes provide just enough of a fresh new look without overpowering the overall design.


Available in 9 weights, Hydrella works well as both a display typeface and in smaller sizes.



Hydrella


[oxnfs] Download Jarric fonts from The Indigo Sea

Jarric


Jazz up your project with Jarric. It’s a vibrant, bold and delightfully random hand-drawn font; an excellent choice for creators and makers. From attention-grabbing graphics and prints, to branding and creative projects, you’ll be sure to stop them in their tracks with Jarric.


Jarric includes a upper and lower case characters, numbers, and full multilingual support



Jarric


[hlfyr] Download Besans fonts from NJ Studio

Besans


Hi...Thank for your visit :)


Besans Handmade sans font. It features tall characters that will take your projects to the next level!

This font is PUA code which means you can easily access all the glyphs that are full of sans! It also features many special features including glyphs. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ...

so it can make your product look sans and attractive, and also Multilingual support!!!

Happy design ...



Besans


[ipnad] Download Greycliff Thai CF fonts from Connary Fagen

Greycliff Thai CF


Greycliff Thai CF adapts Greycliff's popular soft, geometric design to the Thai script. Both Latin and Thai scripts are included, allowing for visually cohesive multiple-script applications. Greycliff Thai CF includes nine weights, obliques, and full Thai diacritics.


Greycliff Thai CF works as a complete, self-contained type system, with both Latin and Thai scripts included and designed to compliment one another.


All typefaces from Connary Fagen include free updates, new features, and free technical support.




Greycliff Thai CF


Dress Code fonts from Larin Type Co - (avyxe)

Dress Code


Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold.

Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design.



This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.



Dress Code


Oceanwide Pro fonts from California Type Foundry - (pogsg)

Oceanwide Pro


A font perfect for not just one, but many projects! Introducing Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans!

Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use.

Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights.

We've tested Oceanwide for these industries, with stunning results!:

  • Tech
  • Arts
  • Fashion & Style
  • Business & Branding
  • Corporations
  • Logistics
  • Architecture
  • Food
  • and many more...

Oceanwide can be used for:

  • Headers
  • Subheadlines
  • Logos
  • Even body text, if tracked.
  • Print & Screen

The styles it can take are also many. It's great for:

  • Modern/minimalist design
  • Flat design
  • Cut out design
  • User Interface (UI)
  • Technical designs
  • In combination with text effects, even for grunge and other situations.
  • And many others...

DESIGN FEATURES

  • Simplicity
  • Tall x-height
  • Hand-sloped obliques (italics)
  • Narrow spacing
  • Semi-wide proportions
  • Expert kerning
  • Well proportioned, usable lights & extra lights
  • Large caps
  • Great ALL CAPS MODE
  • Uppercase punctuation
  • Uppercase spacing with California Type Foundry’s Smart Tracking™
  • Advanced fraction support
  • Proportional lining figures
  • Thick joins
  • Smooth curves
  • Sturdy—great for textures and effects
  • Variable font available
  • Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide!

DESIGN STORY—THE FORGOTTEN SANS

by Dave Lawrence, Lead Designer, California Type Foundry

Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans!

It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year.

Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes.

Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections.

Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after.

My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u.

Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted.

Fourth, I extended the weight into the light and extra light ranges.

Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration.

Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.”

The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple.

Hopefully this font is a worthy successor to the font that inspired it.

Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer.

———————

Simplicity. Versatility. Oceanwide.



Oceanwide Pro


Oceanwide Pro fonts from California Type Foundry - (segyo)

Oceanwide Pro


A font perfect for not just one, but many projects! Introducing Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans!

Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use.

Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights.

We've tested Oceanwide for these industries, with stunning results!:

  • Tech
  • Arts
  • Fashion & Style
  • Business & Branding
  • Corporations
  • Logistics
  • Architecture
  • Food
  • and many more...

Oceanwide can be used for:

  • Headers
  • Subheadlines
  • Logos
  • Even body text, if tracked.
  • Print & Screen

The styles it can take are also many. It's great for:

  • Modern/minimalist design
  • Flat design
  • Cut out design
  • User Interface (UI)
  • Technical designs
  • In combination with text effects, even for grunge and other situations.
  • And many others...

DESIGN FEATURES

  • Simplicity
  • Tall x-height
  • Hand-sloped obliques (italics)
  • Narrow spacing
  • Semi-wide proportions
  • Expert kerning
  • Well proportioned, usable lights & extra lights
  • Large caps
  • Great ALL CAPS MODE
  • Uppercase punctuation
  • Uppercase spacing with California Type Foundry’s Smart Tracking™
  • Advanced fraction support
  • Proportional lining figures
  • Thick joins
  • Smooth curves
  • Sturdy—great for textures and effects
  • Variable font available
  • Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide!

DESIGN STORY—THE FORGOTTEN SANS

by Dave Lawrence, Lead Designer, California Type Foundry

Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans!

It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year.

Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes.

Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections.

Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after.

My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u.

Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted.

Fourth, I extended the weight into the light and extra light ranges.

Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration.

Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.”

The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple.

Hopefully this font is a worthy successor to the font that inspired it.

Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer.

———————

Simplicity. Versatility. Oceanwide.



Oceanwide Pro


Download Peloric Fonts Family From TanveerType

Download Peloric Fonts Family From TanveerType


Introducing fresh PELORIC sans serif typeface which is well crafted for the classic and modern outlook. It can be read easily from a small size to a large size. Feeling fresh & trendy with it’s distinctive visual. It is well suited for branding, website & mobile layout and many more. It can also be used for branding materials, business cards, social media, packaging, prints, quotes & posters, etc. It comes up with 12 different weights as thin, thin italic, light, light italic, regular, italic, medium, medium italic, bold, bold italic, inline & inline italic. So, if you are looking for a new stylish and unique font, then here is the best font just designed for you and supporting any operating system and platform.


Download Peloric Fonts Family From TanveerType


Download Guerrer Font Family From Wahyu and Sani Co.

Download Guerrer Font Family From Wahyu and Sani Co.


Guerrer is modern sans serif family of 20 fonts, 10 weights from thin to black, consists of uprights and matching italics (obliques). It has 300+ glyphs which covers major western languages and has some features, such as fractions, ligatures, alternates, mixed case (unicase) stylistic set, tabular & proportional lining, etc. The mixed case (unicase) feature would be very useful for logo branding project which will give a unique touch to the logotype. Ink traps for bolder styles were adjusted to maintain the legibility at smaller size for both print and digital needs. The typeface was inspired by the strength and the boldness of warriors (guerrer in Catalan). Designed with high x-height and short ascender & descender. The ascender has the same level width the caps height. The uppercase G was specially designed to resemble the warrior head with his armor/helmet. Guerrer would be great choice for branding project, display poster, website, packaging, and broad range of graphic design projects.


Download Guerrer Font Family From Wahyu and Sani Co.


Download Jollin Font Family From Creativemedialab

Download Jollin Font Family From Creativemedialab


Jollin - A Pretty Bold, attractive and simple Display font! Available in regular and italic version, Jollin has tons of alternates that you can use to create a simple but pretty letters. Jollin is perfect for heading, logo creation, advertisements, labels, business card, branding and more! To access alternate: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs


Download Jollin Font Family From Creativemedialab